Hawke's Point

Mark Willen

Book Cover

GENRE

DRAMA

    Core Theme

    SECRECY, DIGNITY, PRINCIPALITY, COMMUNITY

    TIME PERIOD

    Contemporary

    COMPARABLE TITLES

    IT DOES NOT FEEL PARTICULARLY APPLICABLE TO THROW OUT COMPARABLE TITLES AS THIS WORK SEEMS TO RIDE A LINE BETWEEN LEGAL DRAMA AND SMALL-TOWN CHARACTER DRAMA, NEVER REALLY LEANING TOO FAR TO EITHER SIDE. TO THROW OUT A GRISHAM TITLE, IN THIS CASE, FOR EXAMPLE, WOULD BE ENTIRELY ARBITRARY.

    CHARACTER LIST

    • JONAS HAWKE (M/70S) – LEAD. RETIRED LAWYER. STOIC, MEASURED, THOUGHTFUL, PRECISE, RESPECTED.

    • EMMA HAWKE (F/70S) – SUPPORTING. JONAS’S LONG-TIME WIFE AND MOTHER OF HIS TWO ADULT CHILDREN.
    SINCERE, ARTICULATE, VULNERABLE.

    • MARY LOUISE (F/30S) – SUPPORTING. SEX WORKER WORKING OUT OF JONAS AND EMMA’S BED AND BREAKFAST. AN INDEPENDENT AND DECISIVE SOUL WITH A STRONG MORAL COMPASS.

    • NATHAN HAWKE (M/30S) – SUPPORTING. JONAS AND EMMA’S SON WHO RUNS THE SMALL TOWN’S NEWSPAPER. A PATIENT, COMPASSIONATE, AND UNDERSTANDING FIGURE.

    • STEVEN DELACOURT (M/20S) – SUPPORTING. A NEWCOMER TO THE TOWN THAT COMES ASKING ABOUT HIS LATE FATHER, WHO JONAS DEFENDED IN A MURDER TRIAL AND WHO MAY HAVE AN ILLICIT CONNECTION WITH
    JONAS’S WIFE. CURIOUS, LONGING.

    • SEAN ANDERSON (M/50S) – SUPPORTING. CEO OF THE MEDICAL DEVICE COMPANY THAT MAY HAVE A FAULTY PRODUCT ON THE MARKET. REASONED, IMAGE AND PROFIT-CONSCIOUS, WELL-SPOKEN, IF UNPRINCIPLED.

    Logline

    Jonas Hawke, a recovering alcoholic known for being cranky and ornery, may be past his prime, but he's still a damned good lawyer. That's why everyone turns to him for advice if something goes wrong. And plenty does—murder, adultery, corruption—everything you’d expect in a tiny Vermont town.

    Target Audiences

    Age: 18-34,35-54,55+

    Target Gender: Female Leaning,Universal

    Setting

    Vermont

    Based on a True Story

    No

    Publishing Details

    Status: Yes: with a Publisher

    Publisher: Pen-L Publishing

    Year Published: 2014

    Starting Description

    A mysterious stranger arrives in town to question Jonas's handling of a decades-old murder trial, forcing him to confront an ethical lapse in his past. When evidence surfaces that a heart stent made by a local company may be deadly, he's drawn into an ethical quagmire.

    Ending Description

    As Jonas uncovers evidence of the problem, he resists efforts to block his investigation and expose a whistleblower, ultimately forcing the company to confess to the FDA and the CEO to resign.

    Group Specific

    Information not completed

    Hard Copy Available

    Yes

    ISBN

    1940222443

    Mature Audience Themes

    Nudity, Language/Profanity

    Plot - Other Elements

    Coming of Age,Meaningful Message,Philosophical Questions,Other,Happy Ending

    Plot - Premise

    Internal Journey/Rebirth

    Main Character Details

    Name: Jonas Hawke

    Age: 73

    Gender: Male

    Role: Protagonist

    Key Traits: Charming,Complex,Empathetic,Engaging,Honorable,Educated,Leader,Strong Moral Code,Funny,Skillful,Outspoken,Blunt

    Additional Character Details

    Name: Mary Louise Seaver

    Age: 32

    Gender: Female

    Role: Sidekick

    Key Traits: Adventurous,Badass,Sexy,Outspoken,Funny,Sarcastic,Empathetic,Engaging,Honorable,Complex,Aspiring

    Additional Character Details

    Name: Nathan Hawke

    Age: 29

    Gender: Male

    Role: skeptic

    Key Traits: Aspiring,Decisive,Complex,Confident,Empathetic,Flexible,Honorable

    Additional Character Details

    Name: Emma Hawke

    Age: 73

    Gender: Female

    Role: logical

    Key Traits: Charming,Complex,Gracious,Empathetic,Engaging

    Genre

    SUSPENSE, DRAMA

    Brief

    Hawke’s Point follows an ensemble in a small town in Vermont. Jonas Hawke and his wife Emma are proprietors of a local bed and breakfast, where a sex worker named Mary Louise works and lives. We meet Jonas and co. after his longtime law partner passes away due to an apparent complication with his heart stent. Gradually, as a newcomer comes to town prying into the past, it brings back unhappy memories for Jonas and all, including those of an affair Emma has with a defendant of Jonas’s. All the while, several of Mary Louise’s clients relay their concerns about a large corporation’s cardiac stent product which may be problematic. While Jonas must navigate the dark and/or embarrassing secrets in his family being exposed, he is increasingly pulled in to assist Mary Louise in possibly exposing the corporation for their malpractice. Ultimately, Jonas helps her and her client to blow the whistle with the FDA, prompting a larger investigation. In the end, Mary Louise decides to leave town for a new start in Boston, while the marriage of Emma and Jonas finds a second wind.

    Overall Rating

    EXCELLENT

    Point of View

    THIRD PERSON

    Narrative Elements

    Authors Writing Style: GOOD

    Characterization: EXCELLENT

    Commerciality: FAIR

    Franchise Potential: GOOD

    Pace: GOOD

    Premise: GOOD

    Structure: FAIR

    Theme: GOOD

    Accuracy of Book Profile

    In the book profile the author seems to iterate Jonas as an ornery curmudgeon, but his behavior and personality in the text does not seem to reflect this to the extent it is suggesting in the profile. Jonas seems inordinately patient, measured, and well-liked—All qualities that work against adjectives like ornery or curmudgeonly. Also, the author writes “Think Clint Eastwood’s character in Gran Torino with the racism.” This seems like a mistake—Should be without the racism.

    Draw of Story

    What drew me into the story immediately was the intricate web of characters that the author seems to weave most deftly and efficiently. The author sets into motion each player and each underlying tension or dynamic with great aplomb. Very quickly, the audience will be intoxicated with curiosity for the stranger coming into down, with the underlying tensions for the Hawke family, and with Jonas’s relationship and perhaps infatuation with sex worker Mary Louise.

    Possible Drawbacks

    There is nothing that made this reader want to put this work down, per se. It is certainly a very forward-moving read with little stagnations. However, there did seem to be some room to better intertwine the stent storyline with the Hawke family storyline. At some points they did not feel like they were complimenting or building on top of one another. For example, there seemed to be 50-odd pages late in this text where the ever-momentous stent storyline seemed to fall off the wayside in order for us to dig in more with Jonas and his family’s secrets. Then, later, the stent drama comes back into play full-swing, which felt a little jarring. Overall, it feels like Jonas does not quite invest himself in the Mary Louise/stent initiative, leading to some disconnect between threads. In fact, it is very late in the text before Jonas officially and most meaningfully becomes a key player in the stent crisis.

    Use of Special Effects

    THE STORY DOES NOT RELY ON SPECIAL EFFECTS

    Primary Hook of Story

    It’s not so much that this work has a hook that ascribes it value, but when you start to get into the text, this work’s value becomes very clear—The “hook” of this work, so to speak, it the author’s command of his characters, his ability to render his environments, and the profoundly charged subtext he constantly layers in. There is more than enough content and questions here to sustain an audience over a season of TV—Something that can so rarely be said in earnest.

    Fanbase Potential

    This work might not have a large fanbase so much as it might have a loyal one—Thinking in terms of the four quadrants, there seems to be very little here that might entice the younger two quadrants. However, this is far from an Achilles heel, as the appeals to the elder two quadrants are abundant as ever. This work could certainly find itself the subject of book clubs across the counter, and the appeal it has to anyone who longs for, has left, or lives in a small town is substantial.

    Awards Potential

    What is certain is that this work has clear strengths—The writing and subtext are mature, the characters are distinct, and the themes are potent. The end result should be a loyal and satisfied audience, and anything beyond that remains to be seen. It should be noted, though, that this work is a bit of a subtle flavor—It never smashes the reader in the head with its emotions or intentions. That decision and arguably virtue may work against any awards prospects, sadly.

    Envisioned Budget

    LOW BUDGET

    Similar Films/TV Series

    IF PRESSED, ONE COULD MAKE COMPARISONS TO ANY NUMBER OF LEGAL OR SMALL-TOWN DRAMAS, BUT THIS WORK’S ENSEMBLE AND COMMITMENT TO CHARACTER WOULD SEEM TO DISTINGUISH IT FROM A MORE OBVIOUS COMPARISON POINT.

    What’s New About the Story

    What is interesting and original about this story is how the author walks the line between legal thriller and small-town drama. It feels like we have the virtues of both genres/subgenres. The final 50-or-so pages is a perfect emblem of this—We might have Jonas battle it out (so to speak) with Anderson in his office in one scene, and shortly before or after we will be presenting with a tender love scene between Jonas in his wife or a poignant, bittersweet goodbye. It also impresses for the quiet intensity it seems to have—The subtext is quite loud, for example, with the sexual tension between Jonas and Mary Louise, especially considering when Emma’s past affair comes to light both to the audience and later to the Hawke children.

    Lead Characters

    Jonas stands out in that he is an arbiter of patience, critical thought, and principle. It is almost aspiration to watch him and to hopefully glean something from his command of his words and emotions. He is a stoic if there ever was one. However, he is not a figure of superheroic virtue—At the end of the day, he is very much a flawed human, which functions to make him profoundly relatable as opposed to just admirable. The moments where Jonas doubts and is tempted or when he cracks and shows emotion—like when Nathan praises him as father—endear us to him and will surely not be easily forgotten.

    Uniqueness of Story

    Whether or not this is a rare gem is difficult to say with any semblance of confidence, and in many ways, it would seem most appropriate to leave that to the consensus of the greater audience. However, suffice to say that this work has a handful of obvious strengths. As noted, the many well-rounded and well-grounded characters is one than that uplifts this work. Pair that with the author’s sense of place, intelligent dialogue (looking at you Jonas and Emma), and the ever-pregnant subtext, and you have a mature piece of fiction that is sure to appease its target audience and that seems to have much potential for adaptation to the small screen.

    Possible Formats

    TV Series: Network, Cable, Limited Run / Mini-Series, Streaming

    Analyst Recommendation

    RECOMMEND

    Justification

    This work leaves us no room but to recommend. It has a number of key strengths that give value to the reading experience, most notably its characters, dialogue, and subtext. Pairing the surefire appeal to its target audience and the inarguable prospects for adaptation to the small screen, and we have no choice but to recommend.

    Brief

    Jonas Hawke and his wife Emma are proprietors of a local bed and breakfast, where a sex worker named Mary Louise works and lives. As a newcomer comes to town prying into the past, it brings back unhappy memories for Jonas and all, including those of an affair Emma had with a defendant of Jonas’s. All the while, several of Mary Louise’s clients relay their concerns to her about a large corporation’s cardiac stent product which may be problematic. While Jonas must navigate the dark and/or embarrassing secrets in his family being exposed, he is increasingly pulled in to assist Mary Louise in possibly exposing the corporation for their malpractice. Soon, Jonas, Mary Louise, and others must work together to strategize a whistle blow against a powerful—and potentially dangerous—corporation.

    What We Liked

    This work stands out for any number of reasons, but perhaps its most notable virtue is the rich cast of characters. If truly feels like any of the supporting players could conceivably be the lead for how motivated, grounded, and well-rounded they are. It seldom feels like we are reading about mere characters, but rather people, warts and all. This work also stands out for the author’s very reasoned efforts to imbue as much subtextual protein into this work as possible.
    From the Jonas/Mary Louise tension to Jonas’s marital tension—not to mention a bombshell potential corporate conspiracy and the stakes that it raises for key players—this work has any
    number of facets of suspense sizzling on its skillet. All in all, Willen appeals squarely to his target audience, offering an immersive experience of a small town and its distinct, memorable populace.

    Film: While this work has undeniable potential for both the big and small screens, it seems to be dense and expansive enough both with its themes and characters to where it may be doing the material a disservice to adapt it to film. As noted clearly above, this work has more than enough characters that deserve their due screen time, and the small screen would afford the material the format and time it needs to tell its story most properly.

    TV: This work is checking an inordinate amount of boxes for a viable adaptation to the small screen.
    For one thing, the breadth of its cast of characters all but demands that this work be told in the longer, more patient format. Any number of characters in this work are well-rounded to the point where they could conceivably be the lead in themselves—Which is a testament to the quality of the writing and story, as the above statement cannot be said about many in earnest.
    All in all, it would behoove a premium network like HBO to pick up this work and to green light it in service of the elder two quadrants of the marketplace.

    Key points: The Protagonist – Jonas Hawke is a rare lead that is as likable and interesting as he is flawed and complex. His distinction of character makes him fun to watch, as is his academic command of language.
    The Setting – The author goes the extra mile to paint a picture of a small town in Vermont. The
    reader is gifted a sincere and vicarious experience of small-town life, not just as a visitor but as a resident.
    The Subtext – Many a scene in this work is simmering with subtextual tension, with Jonas’s warm thoughts and feelings for Mary Louise being a key example.
    The Climax – Jonas’s back-and-forth exchanges with the errant CEO in the final act are quietly arresting. It is a real pleasure to witness a Jonas we haven’t seen before, and the volleying quality of the meeting feels like a proper showdown.
    The Themes – This work carves out a considerable share of thematic value for itself, and it promise to leave its readers/audience with an abundance of food for thought.

    Synopsis

    Stoic, well-respected retired lawyer Jonas Hawke attends the funeral for his late law partner in the small Vermont town where his has made his life. It’s a somber day in the otherwise idyllic New England community, where Jonas owns a bed and breakfast with his wife Emma. At the B&B, there also lives a sex worker named Mary Louise, with whom Jonas has a strange connection—He views her like a daughter, while also shooing away sexual thoughts about her.
    Soon, a stranger comes to town—One Steven Delacourt, who seems to be hiding something. He visits Jonas and Emma’s son Nathan, who runs the local paper, seeking information about his father—A man who was tried for murder and who Jonas helped acquit. It’s a bit of a sore spot for the Hawke family, as Jonas insisted on taking the case despite his family reeling over the death of his and Emma’s son Lucas. All the while, there are murmurs over whether a large medical device company, Harrison, is going to move to the small town, which would be a huge economic boost.
    Mary Louise continues to see a series of clients, including several regulars. Among them is an employee of Harrison, who relays his fears of one of the company’s products to Mary Louise—Evidently, there is some issue with their cardiac stent products, which may have resulted in a series of deaths and which was not properly reported to the FDA. This enlivens Mary Louise, who is a principled and well-meaning soul. Slowly, she starts to open up about her findings to Jonas, who offers his advice on the ambiguous scenario she presents as best he can.
    Another client is Ed Riley, the de facto town mayor, with whom Mary Louise has a growing romantic connection. Delacourt continues prying around, and Emma and Jonas grow wary of his intentions. Turns out, he is the son of the heiress of the Harrison company, and he has come looking for answers on his father, a man accused of killing Delacourt’s grandfather, the founder of the company. As noted, Jonas helped defend Delacourt’s father. All the while, Jonas and Emma grapple with a bad memory from their past—An affair Emma had with none other than Delacourt’s father. She was sleeping with him on the night that their son died, no less, not to mention the night in which the murder or suicide of Delacourt’s grandfather occurred.
    Meanwhile, current Harrison CEO grapples with his crisis—A whistle blow would likely prove detrimental to the company’s image, not to mention its profits. He does his best to keep tabs on the potential whistle blow, even setting into motion some intimidation tactics to keep the controversy on the down low.
    As Delacourt continues to collect answers about his father’s hidden past, Emma and Jonas realize they must tell their children about the affair before they find out in a less than desirable way. While their daughter is irate, Nathan is totally understanding, and his words of affirmation to Jonas make Jonas break down and. Jonas has a tough sit-down with Delacourt, where he shares his experience of his father and sheds light on the series of hidden truths. Soon, while the main whistleblower has folded due to a threat to out him for seeing Mary Louise, Mary Louise finds a resolve—She eventually becomes committed to doing the right thing, looping in Jonas more fully to assist her in her endeavor. All the while, she falls more and more in love with Ed Riley, a key witness, although she fears it may be a futile love given her career. Soon, Jonas sets a meeting with Anderson, and a tense back-and-forth volley ensues—Pressing questions and damning insinuations from Jonas and deflections and redirects from Anderson.
    There is a personal element to Jonas helping out—His late partner had one of the potentially errant stents after all. Eventually, at risk to themselves, Jonas, Mary Louise, and co. agree to notify the FDA. The result will be a broken open and thorough investigation of the company, one that at the very least will result in time and money lost, and potentially even the dissolution of the entire company. Harrison is let go as CEO, while the owner, Delacourt’s mother, appoints Steven Delacourt as CEO. Mary Louise and Jonas are satisfied with the difference they made—They followed their principles and the rule of law successfully. However, Mary Louise is heartbroken when her relationship with Ed deteriorates—She is not ready to commit to him exclusively, and he does not want her to stop working altogether. It results in bitterness and broken hearts. Soon, a ruffian comes to visit Mary Louise, demanding a free session, but Jonas intervenes and helps intimidate him away. Mary Louise makes the tough decision to leave town for Boston, where she can have a new start. She has a tender goodbye with Jonas. Last we see, Jonas shares a passionate kiss with his wife—Perhaps a new start for them as well.

    About The Author

    The “About the Author” section seemed succinct and strong as it is. My only suggestions/contribution would be to trim it down and to cut out a couple of redundancies— Mark Willen was born and raised in New England, where he developed a special appreciation for the values, humor, and strength of its people. As a journalist, he has been a contributor at The Voice of America, National Public Radio, and Bloomberg News, among others. Mark retired from journalism in 2010 to devote himself to writing fiction. He lives in Maryland with his wife.